The Alpha is, hands-down, one of the two best student Bb clarinets on the market (the other being the Royal Global MAX Bb). It sounds like a professional clarinet — I'd challenge you to hear a significant difference from 3 feet or 300 feet.

Here's the dirty secret of student clarinets: most of them are designed by corporate product teams optimizing for "good enough at scale." The Yamaha YCL-255 is fine. The Buffet Prodige is fine. They're the beige Camrys of the clarinet world — 53% of band directors recommend Yamaha because it's the safe choice, not because it's the best choice. The Alpha isn't a dumbed-down Lumière - it's actually got some of the same DNA. Same bore philosophy, same tone hole undercutting approach, same attention to where things go and why. He just made it out of plastic.

It wasn't originally marketed as a student horn. Backun designed it for professionals who needed something indestructible for outdoor gigs, pit orchestras, or marching band — situations where wood is a liability. Then dealers noticed kids could play it without destroying it, parents noticed it cost less than a wooden clarinet, and Backun noticed money.

The body is a proprietary synthetic blend — not standard ABS plastic. Backun won't say exactly what it is, which either means it's a genuine trade secret or they're embarrassed. I suspect the former; the thing is reportedly denser and more resonant than typical student plastic. The ringless design (no metal rings on the barrel) keeps it featherweight — noticeably lighter than a Yamaha. Most student instruments are resistant, inflexible, and fragile in the keywork — the Alpha is free-blowing with high-quality keys that won't fall apart after a semester of middle school. Probably.

The slightly larger tenons mean you can't just swap on any random barrel. (Convenient for a company that sells barrels. Whether that's acoustically necessary or strategically brilliant, you decide.)

Synthetic means weather and humidity won't touch it. So you can march with it. Even if it's snowing. Or raining. But in those cases I pity you.

Resistance: 6/10, Medium

Playing the Alpha has a terrific feel for a resin clarinet. It's got a middle-of-the-road sound, with a nice splash of brightness in the clarion register. With its medium resistance, you will have a balance of tonal flexibility and center to the sound that holds its core.

In general, more resistance in a clarinet design usually keeps the louder dynamic ranges from spreading; the clarinet "holds its core" and focus, but will provide a smaller dynamic range (on both ends, loud and soft) and smaller color palette. A less resistant clarinet typically provides a much wider tonal palette to choose from, but will require more control from the player to control pitch and sound consistency.

When listening for how a clarinet responds to added air pressure and embouchure control, listen to the Weber example (wide dynamic range and color range), then the Berlioz excerpt (wide dynamic range, but narrow color range), and finally the Gershwin excerpt (narrow dynamic range and narrow color range). You will hear how these clarinets respond — for better or worse! — to my input as a clarinet player.