Légère European Cut Bass Clarinet Reeds
Légère European Cut Bass Clarinet Reeds
Légère reeds have come a LONG way since I first tried them about 15 years ago, and even since I made a video about them a few years ago. In that video, which you can see below, when I played the Légère up against D'Addario, Forestone, and Silverstein, the Légère European Cut came out on top.
Many, many, many of you have written me asking if I would carry these reeds, and the answer is, of COURSE I can carry these reeds. So here they are.
Now, I do not carry all of the Légère varieties — I'm not a fan of the Classic or the Signature cuts at all — but I do like these European Cut reeds, and the new French Cut Bass Clarinet/Tenor Sax reeds.
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Works great with my Vandoran B50
About one year ago, I began using Legere reeds in the European cut, and later the French cut. There were many reasons, but suffice to say that Leger reeds are one of the best makes of synthetic reeds available today--no matter the cut, be it European, French, Signature, American, or Classic. So here is the "good, bad, and ugly" of Legere reeds:. THE GOOD: Legere reeds are extremely consistent reed-to-reed, are available in quarter strengths, and play right out of the box with no adjustments needed. THE BAD: On a per reed basis, Legere reeds are expensive when compared to the cost of cane reeds. However, as Legere reeds play out of the box with no adjustment, and because of their longevity, much of that difference is eliminated in reality. THE UGLY: Because Leger reeds come in quarter strengths matching reeds to the mouthpiece will take more time, and could result in reeds purchased that are too strong or too weak. However, Legere does have an exchange policy to remedy some of guess work. But...once a player finds that perfect reed, the results can be amazing. While Legere reeds are my personal favorite synthetic reed, they may not be to everyone's taste in synthetic, or for those who prefer cane. All I can say is give Leger a try, and you may be surprised...